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2040:. When asked to direct Presley, who was then the "king of rock and roll", Curtiz could only laugh, assuming Presley would be unable to act. After a few conversations with him, however, his opinion changed: "I began to sit up and take notice," Curtiz said, adding, "I guarantee that he'll amaze everyone. He shows formidable talent. What's more, he'll get the respect he so dearly desires." During filming, Presley was always the first one on the set. When he was told what to do, regardless of how unusual or difficult, he said simply, "You're the boss, Mr. Curtiz."817:
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1464:... full justice was for once done to London's text ... with the aid of models, newly introduced fog machines, and a studio tank, the film hauntingly captured an eerie malevolent atmosphere, brooding and full of terror ... From its economic opening scenes ... to its powerful climax ... it gripped consistently. Throughout, Curtiz provided object lessons in the use of sound—the groaning timbers of the ship, creaking footsteps, the wind—and closeups.2232:
1899:(1948). She was shocked at being offered a lead in her first film, and admitted to Curtiz that she was a singer without acting experience. What Curtiz liked about her after the audition was that "she was honest," he said, not afraid to tell him she was not an actress. That, and the observation "her freckles made her look like the All-American Girl," he said. Day would be the discovery he boasted about most later in his career.2309:(1932), one of her earliest roles. He had a low opinion of actors in general, saying that acting "is fifty percent a big bag of tricks. The other fifty percent should be talent and ability, although it seldom is." Overall, he got along well enough with his stars, as shown by his ability to attract and keep some of the best actors in Hollywood. He got along very well with Claude Rains, whom he directed in ten films.6024:
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2385:: other members of his family were less fortunate. He once asked Jack Warner, who was going to Budapest in 1938, to contact his family and help them get exit visas. Warner succeeded in getting Curtiz's mother to the U.S., where she spent the rest of her life living with her son. He could not rescue Curtiz's only sister, her husband, or their three children, who were sent to2193:
true even in a spectacle, where you must never forget the underlying humanity and identity of your characters no matter how splendid the setting or situations are." However, he also felt that even with the same story, any five different directors would produce five distinctive versions. "No two would be alike," he said, as each director's "work is reflection of himself."
2276:, said, "I felt that he was not flesh and bones, that he was part of the steel of the camera". Curtiz was not popular with most of his colleagues, many of whom thought him arrogant. Nor did he deny that, explaining, "When I see a lazy man or a don't care girl, it makes me tough. I am very critical of actors, but if I find a real actor, I am first to appreciate them."6009:
2157:, was always watchful over budgets. He wrote to Jack Warner during the shooting of that film, "In his enthusiasm to make great shots and composition and utilize the great production values in this picture, he is, of course, more likely to go overboard than anyone else ... I did not try to stop Mike yesterday when he was on the crane and making establishing shots."709:, with high crane shots and unusual camera angles. The film also showed that Curtiz was fond of including romantic melodrama "against events of vast historical importance, for driving his characters to crises and forcing them to make moral decisions," according to Rosenzweig. He offered Curtiz a contract to be a director at his new film studio in Hollywood,1171:, who would star in 10 Curtiz movies over his career, with six of those during the 1930s. Garfield and Rains "were brilliant together in this unjustly neglected Curtiz classic," says biographer Patrick J. McGrath. Garfield considered it his "obscure masterpiece." Reviews praised his role: "Perhaps the greatest single occurrence having to do with2145:
dramatic burden shifts from actor to actor. This entails much movement of the camera. If it cuts off at each position so that it seems to jump from place to place, the effect is noticeable and the reception of the story is marred. In many cases, therefore, the camera must move from position to position without stopping, just as a person would.
2515:, Humphrey Bogart, Claude Rains, Joan Crawford, Ann Blyth, Eve Arden, and William Powell. Cagney and Crawford won their only Academy Awards under Curtiz's direction, with Cagney on TV later attributing part of his success to "the unforgettable Michael Curtiz." Curtiz himself was nominated five times and won as Best Director for2427:, an actress and screenwriter, had been close since before Curtiz's marriage to Meredyth in 1929. Curtiz had numerous affairs; Meredyth once left him for a short time but they remained married until 1961, when they separated. They remained married until his death. She was Curtiz's helper whenever his need to deal with1595:" was one of the highlights of the film's nineteen songs. As a result of the film's numerous popular and generic elements, such as ground and aerial combat, recruitment, training, and marching as well as comedy, romance, song, and dance, it was the most financially successful war-themed film of any kind made during848:'s son, who had been a friend of Curtiz in Europe, wanted him to direct several films based on his father's novels. He chose Curtiz because he already knew the locale and its people. During this period, Warner Bros. began experimenting with talking films. They assigned two part-talking pictures for Curtiz to direct:2160:
Curtiz himself rarely expressed his philosophy or filmmaking style in writing since he was always too busy making films, so no autobiography and only a few media interviews exist. His brother observed that Curtiz was "shy, almost humble," in his private life, as opposed to his "take-charge" attitude
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also gave it a favorable review: "As for Mr. Presley, in his third screen attempt, it's a pleasure to find him up to a little more than Bourbon Street shoutin' and wigglin'. Acting is his assignment in this shrewdly upholstered showcase, and he does it, so help us, over a picket fence." Presley later
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is still the freshest, the most endearing, the most rousing musical tribute to the American fighting man that has come out of World War II ... buoyant, captivating, as American as hot dogs or the Bill of Rights ... a warmly reassuring document on the state of the nation. It is, from beginning to end,
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Cagney's bravura performance earned him his only Academy Award as Best Actor. For Warner Bros., it became their biggest box-office success in the company's history up to that time, nominated for nine Academy Awards and winning four. The success of the film also became a high point in Curtiz's career,
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In preparing scenes, Curtiz liked to compare himself to an artist, painting with characters, light, motion, and background on a canvas. However, during his career, this "individualism," says Robertson, "was hidden from public view" and undervalued because, unlike many other directors, Curtiz's films
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Sidney Rosenzweig argues that Curtiz had his own personal style, which was in place by the time of his move to America: "high crane shots to establish a story's environment; unusual camera angles and complex compositions in which characters are often framed by physical objects; much camera movement;
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At the time Crawford accepted the part from Warner Bros., her 18-year career at MGM had been in decline. She had been one of Hollywood's most prominent and highest-paid stars but her films began losing money, and by the end of the 1930s, she was labeled "box office poison". Rather than remain at MGM
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The parallel of the dreams of empire indulged in by King Philip of Spain and those apparently momentarily enjoyed by Hitler is so obvious that it will not escape detection even by the youngest film follower who reads his newspaper and goes to see the film ... In having been supplied with a parallel,
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included two parallel stories, one recounting the biblical flood, and the other a World War I-era romance. It was the first epic film attempted by Warner Bros., and in handing production over to Curtiz, they were hoping to assure its success. The climactic flood sequence was considered "spectacular"
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Curtiz firmly believed that investigating the background of every story should be done first and done thoroughly before starting a film. He said that whenever someone asked him how he, a foreigner, could make American films, he told them, "human beings are the same all over the world. Human emotions
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His attitude did not change when he joined a large studio, despite being given large spectacles to direct. As late as the 1940s, he still preferred "homey pictures." He said it was "because I want to deal with human and fundamental problems of real people. That is the basis of all good drama. It is
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was said to have cost the studio $ 300,000, and the full budget for making the film was about $ 3 million. The subsequent films did poorly, however, whether as part of the changes in the film industry in this period or because Curtiz "had no skills in shaping the entirety of a picture". Either way,
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were to share the costs and profits of his subsequent films with his films to be released through Warner Bros. "I'm going to try to build my own stock company and make stars of unknowns. It is getting impossible to sign up the big stars, because they are tied up for the next two years," he said. He
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visual style, and its most obvious feature is its unusual camera angles and carefully detailed, crowded, complex compositions, full of mirrors and reflections, smoke and fog, and physical objects, furniture, foliage, bars, and windows, that stand between the camera and the human characters and seem
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Although the language barrier made communicating with the casts and crews a hardship, he continued to invest time in preparation. Before he directed his first Western, for example, he spent three weeks reading about the histories of Texas and the lives of its important men. He found it necessary to
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We had to do everything—make bill posters, print programmes, set scenery, mend wardrobe, sometimes even arrange chairs in the auditoriums. Sometimes we travelled in trains, sometimes in stage coaches, sometimes on horseback. Sometimes we played in town halls, sometimes in little restaurants with no
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He earned the nickname "Iron Mike" from his friends, since he tried to keep physically fit by playing polo when he had time, and owned a stable of horses for his recreation at home. He attributed his fitness and level of energy solely to sober living. Even with his vast success and wealth over the
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Curtiz was always extremely active: he worked very long days, took part in several sports in his spare time, and was often found to sleep under a cold shower. He skipped lunches since they interfered with his work and he felt they often made him tired. He was therefore dismissive of actors who ate
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for the role. However, Crawford, who by then had not been in a film for two years, did her best to get the part. Rare for a major star, she was even willing to audition for Curtiz. She was already aware that "Mr. Mike Curtiz hated me ... I don't want those big broad shoulders," he said. During her
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To accomplish this end the camera must assume many personalities. For the most part it assumes the personality of the audience. At moments when the interest is high and the illusion of the audience is greatest, the camera alternately places itself in the position of the various characters, as the
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Curtiz always invested the time necessary to prepare all aspects of a film before shooting. "As far as I am concerned," he said, "the chief work in directing a film is in preparing a story for the screen ... Nothing is as important ... A director can be likened to the field general of an army. He
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camera techniques, a style he learned in Europe, to bring out the features of Crawford's face, using rich black-and-white highlights. He was aware that Crawford guarded her screen image very carefully, and that she truly cared about quality. Crawford learned to appreciate Curtiz's genius with the
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was among Curtiz's discoveries. Curtiz discovered Garfield, a stage actor, by accident, when he came across a discarded screen test he gave, and thought he was very good. Garfield had assumed he failed the screen test and was already heading back to New York in disgust. Curtiz then went to Kansas
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Warner Bros. had Curtiz direct three other mediocre stories to be sure he could take on larger projects, during which time he was able to familiarize himself with their methods and work with the technicians, including cameramen, whom he would use in subsequent productions. As biographer James C.
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Learning English quickly was an immediate hurdle, however, since he had no free time. When Jack Warner gave him the film to direct, Curtiz recalls, "I could not speak one word of English." It was a romantic story about jail life and gangsters in Chicago, a place he had never been about American
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invited him to Hollywood in 1926, when he was 39 years of age. He had already directed 64 films in Europe, and soon helped Warner Bros. become the fastest-growing movie studio. He directed 102 films during his Hollywood career, mostly at Warners, where he directed ten actors to Oscar nominations.
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Curtiz directed some of the best known films of the 20th century, achieving numerous award-winning performances from actors. Before moving to Hollywood from his native Hungary when he was 38 years of age, he had already directed 64 films in Europe. He soon helped Warner Bros. become the nation's
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The Warners have photographed this picture in some of the most magnificent technicolor yet seen ... masses of brilliantly colored planes, ranked in impressive rows about an air base or upon the huge flight decks of carriers, and roaring in silver majesty, wing to wing, through the limitless West
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with Navy assistance and under strict Navy scrutiny. Filming at the active naval base in San Diego required great care, especially for aerial sequences. To create realistic shots, he mounted cameras on the Navy's planes to achieve "amazing point-of-view shots," taking viewers inside the co*ckpit
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were cast as the young lovers who attempt to escape his tyranny. Some reviews described the film as one of Curtiz's "hidden gems ... one of Curtiz's most complex works." Robinson was impressed by Garfield's intense personality, which he felt may have contributed to Garfield's death at age 39:
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for Powell. During Powell's career, he acted in 97 films; his third and last nomination was for this film. One review stated, "He is magnificent in the role, imbuing it with every attribute of pomp, dignity, unconscious conceit, and complete loveableness! His is one of the really great screen
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Curtiz never gave second-hand treatment to an assignment once it was accepted. He went ahead and graced plot and character with fluid camera movement, exquisite lighting, and a lightning-fast pace. Even if a script was truly poor and the leading players were real amateurs, Curtiz glossed over
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They could fill a book. Even if I did not suspect you'd heard them all, I long ago decided that I would not bore myself or you with Curtizisms, Pasternakisms, Goldwynisms, or Gaborisms. Too many writers have made a cottage industry of reporting the misuse of the English language by Hollywood
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The case for Curtiz as an auteur rests on his incredible ability to find the right style for the right picture. If he shows a thematic consistency across several genres, it is in his consistent preference for stressing the struggles of the rebel and the downtrodden against the entrenched and
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The intoxicating joy of life was interrupted, the world had gone mad ... We were taught to kill. I was drafted into the Emperor's Army ... After that, many things happened: destruction, thousands forever silenced, crippled or sent to anonymous graves. Then came the collapse . Fate had spared
871:, while biographer James C. Robertson said it was "one of the most spectacular incidents in film history." Its cast was made up of over 10,000 extras. However, the reissue of the film in 1957 cut an hour off the original time of 2 hours and 15 minutes. The story was an adaptation written by1422:
Coast skies. Never before has an aviation film been so vivid in its images, conveyed such a sense of tangible solidity when it is showing us solid things or been so full of sunlight and clean air when the cameras are aloft. Except for a few badly matched shots, the job is well nigh perfect.
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voted him as best actor for his portrayal in the film, where he played the part of a hoodlum who redeems himself. Curtiz was also again nominated, solidifying further his status as the studio's most important director. Curtiz was nominated for the 1938 Oscar for Best Director for both
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Curtiz asked the set designer for a "poodle" on the ground so the wet steps of the actors could be seen on camera. The next day the set designer brought a little dog not realizing Curtiz meant "puddle" not "poodle". But not all actors who worked under Curtiz were as amused by his
1521:. Where the earlier film became a career high point for Cagney's portrayals of a gangster, a role he played in many earlier films, in this film, an overtly patriotic musical, Cagney demonstrates his considerable dancing and singing talents. It was Cagney's favorite career role.473:
Curtiz became attracted to the theater when he was a child in Hungary. He built a little theatre in the cellar of his family home when he was 8 years old, where he and five of his friends re-enacted plays. They set up the stage, with scenery and props, and Curtiz directed them.
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at work. His brother added that "he did not want anybody to write a book about him. He refused to even talk about the idea." When Curtiz was once asked to sum up his philosophy of making movies, he said, "I put all the art into my pictures that I think the audience can stand."
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According to biographer James C. Robertson, because Curtiz had given different accounts about his early life during his career, exact details about his early years have not been confirmed. For example, he said that he once ran away from home to perform in various acts with a
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Michael Curtiz is the classic example of a studio director in that he could turn his hand to almost anything. He could go from any genre to another, and somehow this Hungarian knew exactly how those genres worked. Like there was some innate storytelling skill in this man.
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To broaden his life experiences in the U.S., since he seldom traveled outside of Hollywood, when he did go on location shoots he tended to be restless and curious about everything in the area. Producer Wallis, who was often with him, observed that he explored everything:
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He earned a reputation as a harsh taskmaster to his actors, as he micromanaged every detail on the set. With his background as director since 1912, his experience and dedication to the art made him a perfectionist. He had an astounding mastery of technical details.
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his name to Mihály Kertész. Curtiz had a lower-middle-class upbringing. He recalled during an interview that his family's home was a cramped apartment, where he had to share a small room with his two brothers and a sister. "Many times, we are hungry," he added.
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Wallis said he was "a demon for work." He arose each morning at 5 am and typically remained at the studio until 8 or 9 pm. He hated to go home at the end of the day, said Wallis. With his high energy level, he also attended to every minute detail on the set.
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with his nomination as Best Director. The film has been added to annals of Hollywood as a cinematic classic, preserved in the United States National Film Registry at the Library of Congress as being "culturally, historically, or aesthetically significant".
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The only things that are different in different parts of the world are customs ... But those customs are easy to find out if you can read and investigate. Downtown there is a fine public library. There you can open a book and find out anything you want to
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Curtiz was among those who introduced to Hollywood a visual style using artistic lighting, extensive and fluid camera movement, high crane shots, and unusual camera angles. He was versatile, and could handle any film genre: melodrama, comedy, love story,
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Because of Curtiz's high film productivity, Warner Bros. created a special unit for his pictures, which then allowed him to manage two film crews. One worked with him during actual filming, while the other prepared everything for the next picture.
676:(1924) was a spectacle of the enslavement of the children of Israel and their miraculous deliverance by way of the Red Sea. Shot in Vienna with a cast of 5,000, it had for its theme the love story of an Israelite maiden and an Egyptian prince.2174:
First I look for "human interest" when a story is given me. If that interest is predominant over the action then I believe the story is good. Always it is my desire to tell that story as if the camera were a person relating the incidents of a
270:; December 24, 1886– April 10, 1962) was a Hungarian-American film director, recognized as one of the most prolific directors in history. He directed classic films from the silent era and numerous others during Hollywood's577:
in Hungary. In 1917, he was made director of production at Phoenix Films, the leading studio in Budapest, where he remained until he left Hungary. However, none of the films he directed there survive intact, and most are completely lost.
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He had a thirst for knowledge; he wanted to see the poolrooms, the flophouses, the Chinese sections, the slums—everything strange and exotic and seedy so that he could add to the knowledge that gave his pictures their amazing degree of
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Robertson explains, "In each case, Curtiz strove valiantly, but unsuccessfully to revitalize unconvincing scripts through spectacular camera work and strong central performances, the most noteworthy features of all those films."
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I hate to see young directors throwing stories back at the studio. They should never throw a single one back because they do not think it is a good story. They should accept them gratefully ... That is the way they will learn.
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never forgot Curtiz's saying to "bring on the empty horses" when he wanted to "bring out the horses without riders," so much so that he used it for the title of his memoir. Similar stories abound: For the final scene in
809:, made good use of Curtiz's experience in using moving cameras to create expressionistic scenes, such as a sequence shot from the perspective of a bullet in motion. The film was the first of eight Curtiz films to have2150:
covered such a wide spectrum of different genres. He was therefore seen by many as a versatile master technician who worked under Warner Bros.' direction, rather than as an auteur with a unique and recognizable style.
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It is splendid to work here in this country. One has everything at hand to work with. The director does not have to worry about anything except his ideas. He can concentrate on those with no worry about his production
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in various languages, depending on what country they were in. They performed throughout Europe, including France, Hungary, Italy, and Germany, and he eventually learned five languages. He had various responsibilities:
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Before coming to Hollywood, Curtiz always considered the story before he began working on a film. The human-interest side of a story was key, along with having the plot develop as the film progressed. He explains:
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wanted "to resurrect" Curtiz's critical reputation, observing that with his enormous experience and drive, he "could wring unexpected meanings from a script through his direction of actors and cinematographers."
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Some sources state that Jack L. Warner, Harry's younger brother, was who offered Curtiz a contract. In either case, Curtiz initially wanted to throw him off the set while he was working, since visitors made him
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The long partnership between Curtiz and Warner Bros., eventually descended into a bitter court battle in the early 1950s. After his relationship with Warner Bros. broke down, Curtiz continued to direct on a
596:, a German film company, where he learned to direct large groups of costumed extras, along with using complicated plots, rapid pacing, and romantic themes. His career truly started due to his work for Count2200:
says that throughout Curtiz's career, his films portrayed characters who had to "deal with injustice, oppression, entrapment, displacement, and exile." He cites examples of Curtiz films to support that:
1733:, which he inscribed: "To Joan Crawford, who brought Mildred to life as I had always hoped she would be, and who has my lifelong gratitude." The film returned Crawford to the ranks of leading stars.342:, horror, or historical epic. He always paid attention to the human-interest aspect of every story, stating that the "human and fundamental problems of real people" were the basis of all good drama.1454:
John Garfield was one of the best young actors I ever encountered, but his passions about the world were so intense that I feared any day he would have a heart attack. It was not long before he did.
1445:'s best known novels. Robinson said the character he portrayed "was a Nazi in everything but name," which, Robinson observed, was relevant to the state of the world at that time. John Garfield and750:
When I first came here I was called on to direct six or seven pictures a year. I never turned down a single story. That was my schooling. I worked hard on every one of them. That is how you learn.
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After the success of the film, Jack Warner gave Curtiz two new and exceptional contracts in appreciation, boosting his salary and reducing the number of films he had to direct each year to two.
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was nominated for six Academy Awards, including Best Picture. Only Crawford won, for Best Actress, her first and only Oscar. The novel's author, James M. Cain, gave her a leather-bound copy of
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He soon learned that good stories were even harder to come by: "Studios will pay anything for good stories ... they will buy it up before anyone else can get it," he complained. The story for
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was about to attempt to invade England. Some critics felt the story was equivalent to actual events then taking place in Europe, describing it as a "thinly veiled diatribe against American
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Curtiz's American career did not really take off until 1935. In the early 1930s, Warner Bros. was struggling to compete with the larger MGM, which was releasing costume dramas such as
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A few months after arriving in Hollywood as Warner Bros.' new director, Curtiz explained that he wanted to make viewers feel as though they were actually witnessing a story on screen:
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Curtiz's films continued to cover a wide range of genres, including biopics, comedies, and musicals. Some of the box office successes and well-received films during the 1950s included
1496:, the vivid aerial scenes filmed in Technicolor were another feature that garnered critical attention, and the film was nominated for Best Art Direction and Best Color Cinematography.1710:
To help Crawford prepare for certain court scenes, Curtiz took her downtown, where they spent time visiting jails and watching criminal trials. In photographing her, he used careful
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The film was well received by the public, becoming the sixth-most popular film that year. No other pre-Pearl Harbor picture matched the quality of its flying scenes. Film columnist
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To gain some direct experience about the subject, Curtiz convinced the Los Angeles sheriff to let him spend a week in jail. "When I came out, I knew what I needed for the picture."
2419:. One of his regular polo partners was Hal B. Wallis, who had met Curtiz on his arrival in the country and had established a close friendship with him. Wallis' wife, the actress637:
in Sweden. During this period, he tended to specialize in directing two kinds of films, either sophisticated light comedies or historical spectaculars. He launched the career of
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states in his 2017 biography of Curtiz that this is a modern legend, and there is no contemporary evidence to support it. Their obituaries make no mention of such a marriage.
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The script, the music, and the acting all came together to produce a remarkable picture, the likes of which Presley never again matched in his career. It received good reviews:
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He was a superb director with an amazing command of lighting, mood and action. He could handle any kind of picture: melodrama, comedy, Western, historical epic or love story.
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Curtiz struggled with English as he was too busy filming to learn the language. He sometimes used pantomimes to show what he wanted an actor to do, which led to many amusing
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By putting time into preparation, he cut down on delays after production started, which gave him the ability to put out about six films a year until the 1940s. He turned out
745:(1926). Curtiz's unique camerawork technique was used throughout, visible in dramatic camera angles, in a style which one critic assumed other directors would likely envy.3364:
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also said that he was less concerned with looks than personality when using an actor. "If they are good-looking, that's something extra. But I look for personality."
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scenery at all. Sometimes we gave shows out of doors. Those strolling actors were the kindest-hearted people I have ever known. They would do anything for each other.
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Other spellings that various biographers have used are Kertész Mihály, Michael Courtice, Michael Kertesz, Mihaly Kertesz, Michael Kertész, and Kertész Kaminer Manó
1691:, gave one of the strongest performances in her career, playing a mother and successful businesswoman who sacrifices everything for her spoiled daughter, played by1181:, which called Garfield's acting "bitterly brilliant ... one of the best pictures of anybody's career." Garfield and Rains co-starred the following year in Curtiz'481:. From that job, he became a pantomimist with a circus for a while, but then returned to join another group of travelling players for a few more years. They played8814:
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719:(1928). By the time Curtiz accepted Warner's offer, he was already a prolific director, having made 64 films in countries including Hungary, Austria, and Denmark.581:
By 1918, he had become one of Hungary's most important directors, having by then directed about 45 films. However, following the end of the war, in 1919, the new
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began in 1914, he returned to Hungary, where he served in the army for a year, before he was wounded fighting on the Russian front. Curtiz wrote of that period:
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for the film, said "Curtiz was one of the few directors who knew what he wanted and was able to express himself exactly, even in his amusing Hungarian accent."
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and see newer, younger talent draw most of the studio's attention with better roles, she left MGM and signed a contract with Warner Bros. at a reduced salary.
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Tablet Magazine: "The Brothers Who Co-Wrote 'Casablanca', Writers Julius and Philip Epstein, are also forebears of baseball's Theo Epstein" by Adam Chandler
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almost entirely on the sound stage without having to leave the studio. (Errol Flynn's duel with Basil Rathbone was shot at Three Arch Bay in Laguna Beach.)
1656:. The film was mostly well received by critics and was a success at the box office, but the film soon proved to be controversial after it stirred up strong8804:
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continue such intensive studying of American culture and habits in preparation for most other film genres. But he was quite satisfied being in Hollywood:
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Although he was an experienced filmmaker, now aged 38, Warners assigned him to direct a number of average-quality films to break him in, the first being
604:. Curtiz later wrote that at Sascha, he "learned the basic laws of film art, which, in those days, had progressed further in Vienna than anywhere else."1175:
on reading the critics appears to be the debut of John Garfield, a brilliant young actor recruited from the Broadway stage." Similar approval came from
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That being their third Curtiz film together, Flynn and de Havilland continued to star in other hugely successful films under his direction, including
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reading of an emotional scene as he watched, she saw him become so overwhelmed by her delivery that he cried, and he then said, "I love you, baby."
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2543:, ask whether Curtiz has "been misjudged by cinema history," since he is not included among those often considered to be great directors, such as999:
Until then, it was a genre in which Warners' had assumed they could never succeed, owing to its higher production budgets during the years of the
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Film historian Catherine Portuges has described Curtiz as one of the "most enigmatic of film directors, and often underrated." Film theorist
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5761:"Curtiz No 'Mr. Malaprop'; Studio Legend Exploded: Famous Director's English is Found to Be Better Than Chroniclers; Likes Simple Stories",4838:
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whom Curtiz replaced), the most profitable film that year, also winning three Academy Awards and being nominated for Best Picture. It is in
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inadequacies so well that an audience often failed to recognize a shallow substance until it was hungry for another film a half-hour later.
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After he graduated from college at age 19, he took a job as an actor with a travelling theatre company, where he began working as one their
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1127:(1937), where Robinson played a tough and sardonic, but ultimately soft-hearted, boxing manager. The picture co-starred Bette Davis and2303:
Nevertheless, Bette Davis, who was little known in 1932, made five more films with him, although they argued consistently when filming
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He spoke terrible English; his English was always a joke on the set. But the dialog in his films is wonderfully given and directed.
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thanked Curtiz for giving him the opportunity to show his potential as an actor; of his 33 films, Elvis considered it his favorite.
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attacks. Curtiz took the criticism personally and vowed never again to direct an overtly political film, a promise which he kept.
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in 1996 as one of the most popular films ever made. Its stars were Humphrey Bogart, playing an expatriate living in Morocco, and
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1591:. As America was engaged in World War II, the film boosted the morale of soldiers and the public. Kate Smith's rendition of "1236:(1939), starring Claude Rains, in a biopic which dramatizes the Jewish contribution to America's independence. Curtiz won an991:
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He worked as Mihály Kertész at the National Hungarian Theater in 1912. and was a member of the Hungarian fencing team at the
2415:. By the early 1940s, he had become fairly wealthy, earning $ 3,600 per week and owning a substantial estate, complete with878:
The critical success of these films by Curtiz contributed to Warner Bros' becoming the fastest-growing studio in Hollywood.
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Curtiz died from cancer on April 10, 1962, aged 75. At the time of his death, he was living alone in a small apartment in
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No matter what the story is, Mr. Curtiz is never at a loss. If it's about American small-town life, he is as American as
1227:. Curtiz, however, had split his votes between two films and had actually the greater number of aggregate Academy votes.1055:
votes. It also made stars of both Flynn and de Havilland, and it elevated Curtiz to being the studio's leading director.
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name Michael Curtiz. During what became a 28-year period at Warner Bros., he directed 86 films, including his best work.
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City to intercept the train, where he pulled Garfield off and brought him back to Hollywood. Garfield made his debut in
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Kingsley, Grace. "Troupers Know Life: Strolling Players in Europe Lead Life of Romance, Says Curtiz, Warner Director",
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subjective shots, in which the camera becomes the character's eye; and high contrast lighting with pools of shadows".
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should know more clearly than anyone else what is coming, what to expect ... I believe this as a sound working plan."
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1765:(1947), a family comedy. It was a big hit in the United States, and was nominated for four Academy Awards, including249:
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2104:(1935) in only three weeks, despite its rapid-fire newspaper dialogue with Bette Davis, then turned around and made1347:, and Claude Rains acted as the Spanish ambassador, whose job it was to mislead the Queen who rightly suspected the685:
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The down side of his dedication was an often callous demeanor, which many attributed to his Hungarian roots.
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took over directing on the days Curtiz was too ill to work. Wayne did not want to take a co-director credit.
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2012:. It was reported that Curtiz was temperamental and disliked the script. The film was a commercial failure.705:
The Warners were impressed that Curtiz had developed a unique visual style which was strongly influenced by
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Curtiz began living in various cities in Europe to work on silent films in 1913. He first went to study at
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fastest-growing studio, directing 102 films during his career in Hollywood, more than any other director.
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Curtiz arrived in the United States in the summer of 1926, and began directing at Warner Bros. under the
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saw the film and was impressed enough by Tracy's acting that he hired him on to MGM's roster of stars.
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all concerned a tyrant monarch who was threatening the freedom of ordinary Englishmen. Wollen states:
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during flight. He also mounted cameras underneath the wings of planes to dramatize take-offs from the
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1099:(1939), also co-starring Bette Davis. Davis starred in a Curtiz film in most years during the 1930s.1005:
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In the late 1940s, Curtiz made a new agreement with Warner Bros. under which the studio and his own
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Gunson, Victor. "Hard-to-do Films Best Training School for Directors, Declares Michael Curtiz",
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Parry, Florence Fisher. "William Powell's Superb Father Day Makes Him Candidate for an Oscar",
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I was laid in the aisles by Curtiz's camera work ... shots and angles that were pure genius.
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in Stockholm. The film received plaudits as one of the most compelling of all sports movies.
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Although unusual projects for Warner Bros., Curtiz directed two horror films for the studio,
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5719:"U.S. Cameramen Take New Ways: German Idea of Shifting Plan for Narrative Power Adopted",4298:
Vasvári, Louise Olga, ed. Portuges, Caterine. "Curtiz, Hungarian Cinema, and Hollywood",
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4763:"Rush Work on Three Pictures: Special Unit is Formed For Famed Director Michael Curtiz,"3884:
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as Curtiz himself said, "You are only appreciated so far as you carry the dough into the
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2559:: "He was obviously a talent highly alert to the creative movements of his time such as1280:
During the 1940s Curtiz continued to release more critically acclaimed films, including
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musical, was a major box-office success, the highest-grossing film of 1954. It starred
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The film was a major success with positive critical reviews. It was nominated for the
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in 1886, where his father was a carpenter and his mother an opera singer. In 1905, he
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to enact legislation and policy to prevent cruelty to animals on the sets of movies.
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under Curtiz's direction led to a near-violent confrontation between Curtiz and star
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are international." He treated his first films in the U.S. as learning experiences:
600:(known as Sascha), with whom he made at least 21 films for the count's film studio,8500:
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1047:, and though not nominated, Curtiz received the second-highest number of votes for1000:
996:(1934). Warner Bros. decided to take a chance and produce their own costume drama.939:
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starting in 1925 and is sometimes reported to have married her, but film scholar
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and he often phoned her for advice when presented with a problem while filming.
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again makes us glad we are Americans protected by a Navy as competent as ours."
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1072:. The film, another Oscar winner, was a greater success at the box-office than1059:
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lunch, believing that "lunch bums" had no energy for work in the afternoons.
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Clemens, Samuel. "Carol Ohmart: The Story of Hollywood's Greatest Actress",
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declared that the film "Shows the young star as a better than fair actor".
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as a woman who was trying to escape the Nazis. The supporting cast features
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Political Philosophy Comes to Rick's: Casablanca and American Civic Culture
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Graham, Sheilah. "Movie Stars Clamor to Work Under Director Mike Curtiz",
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906:(1927). During the 1930s, Curtiz directed at least four films each year.845:
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5221:"The Best Movie of All Time Turns 70: Here's Looking at You, Casablanca"1907:(1952), also a biography, told the story of the humorist and movie star8607:
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John, Frederick. "Michael Curtiz: the Film World's Forgotten Genius",
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years, he did not allow himself "to be fondled in the lap of luxury."
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378:(1938). He directed many other dramas which are considered classics:335:
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5346:"Hard-to-do Films Best Training School for Directors, Says Curtiz",942:, with numerous atmospheric scenes filmed on the studio's back lot.3848:
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2289:. And if it's a mystery, he's as good a teller of mystery tales as2267:
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states that, "Curtiz's vision of any movie... was almost totally a
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Hal B. Wallis, the producer of many of Curtiz's films, including
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No, this is a lovely boy, and he's going to be a wonderful actor.
641:, who went on to become an international star, along with that of8623:
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The most obvious aspect of Curtiz's directorial signature is his
536:
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The Genius of the System: Hollywood Filmmaking in the Studio Era
1359:'s brink." Film columnist Boyd Martin noticed the similarities:6023:
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and an illegitimate daughter. Around 1918, he married actress
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won their only Academy Awards under Curtiz's direction. He put
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performances of the year ... that crowns a long screen life."
1587:(1943), a musical adapted from the stage play with a score by1200:(1938), he was nominated for an Oscar for the first time. The1017:, and directed by Curtiz. It would star a then unknown extra,713:, where he would direct a similar epic that had been planned,238:
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on April 10, 1962. Curtiz was ill during the shoot, but star
1003:. However, in March 1935, Warners announced it would produce508:
in Stockholm. Kertész directed Hungary's first feature film,
482:
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3649:(1939) with Bette Davis, Errol Flynn and Olivia de Havilland2563:, the genius of the Hollywood studio system, genres such as1488:. It starred James Cagney and Brenda Marshall. According to1068:(1936), a depiction of the British Light Brigade during the229:
4781:
John Garfield: The Illustrated Career in Films and on Stage
2438:
Curtiz was the stepfather of movie and television director
2389:, where her husband and two of the children were murdered.1247:
Three Westerns directed by Curtiz also starring Flynn were
585:
nationalized the film industry, so he decided to return to
573:
He was assigned to make fund-raising documentaries for the
5778:
Fasten Your Seat Belts: The Passionate Life of Bette Davis
2370:, and they divorced in 1923. He had a lengthy affair with2362:
When he left for the United States, Curtiz left behind an
1625:
During this period, Curtiz also directed the World War II
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in the U.S. bought the rights to the film to compete with
539:, which led to work as an actor and assistant director to4962:
Martin, Boyd. "Modern Parallel Found in 'The Sea Hawk'",
960:
5161:"James Cagney Is Dead at 86; Master of Pugnacious Grace"2205:(1932) dealt with the theme of social alienation, while1634:(1943), a film which was commissioned at the request of607:
Among the films he directed were Biblical epics such as
281:
Curtiz was already a well-known director in Europe when
5390:
Early Film Noir: Greed, Lust and Murder Hollywood Style
4512:
Round Up the Usual Suspects: The Making of "Casablanca"
1532:(1942), a World War II-era romantic drama described by1062:
starring Flynn (often with de Havilland) that included
5082:"The Essentials: 5 Of Michael Curtiz's Greatest Films"2818:
2527:, who produced a number of his major films, including1148:(1938), followed by a co-starring role in its sequel,5845:"Incredible behind the scenes facts about Casablanca"2531:, said Curtiz had always been his favorite director:1230:
The following year, Curtiz directed a short subject,
896:'s fourth film after being in Hollywood's first true250:
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Curtiz planning how best to photograph a scene with
1503:
was completed, but released after his next picture,
1405:, an aircraft carrier launched a few years earlier.235:
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1154:(1939). Garfield also later co-starred in Curtiz's302:on screen for the first time, and he made stars of232:
4271:Casablanca and Other Major Films of Michael Curtiz1513:(1942), a film about singer, dancer, and composer6064:Kertész Kaminer Manó (aka Kertész Mihály) profile5951:, which states he died "Tuesday night" (April 10)4767:(Harrisburg, Pennsylvania), August 12, 1939, p. 94750:Photo of Michael Curtiz directing fight scene in4593:You Must Remember This: The Warner Brothers Story3657:(1940) with Errol Flynn, Olivia de Havilland and3601:(1938) with Errol Flynn, Olivia de Havilland and3382:
2396:, a benevolent association which helped European1460:With Michael Curtiz' magnificent 1941 version of456:After graduating from high school, he studied at8726:
5989:Rossen, Robert; Fumento, Rocco; Williams, Tony.5607:Last Train to Memphis: The Rise of Elvis Presley5026:, August 30, 1941. Retrieved: September 4, 2009.4432:(Louisville, Kentucky) September 29, 1946, p. 314233:The Casablanca Man: The Cinema of Michael Curtiz402:(1945). He directed leading musicals, including8815:Directors of Best Picture Academy Award winners8790:Burials at Forest Lawn Memorial Park (Glendale)5936:
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5596:(Canonsburg, Pennsylvania), April 9, 1958, p. 34822:
5010:, Johns Hopkins Univ. Press (2008) pp. 314–3164966:(Louisville, Kentucky), August 11, 1940, p. 244273:. Ann Arbor, Mich.: UMI Research Press, 1982.2344:. Edward G. Robinson, whom Curtiz directed in2285:. If it's about Paris, he's as continental as1889:. The film is a musical biography of lyricist7876:
6084:
5993:, Southern Illinois Univ. Press (1998) p. xiv5927:(Kingsport, Tennessee), April 27, 1941, p. 265892:
5674:
5672:
5442:
5440:
5438:
4322:
4320:
4318:
4316:
4314:
4312:
4310:
4308:
4265:
4263:
4261:
4259:
1117:Curtiz elicited some of the finest work from860:(1928), both of which also starred Costello.5805:
5706:Ross, George. "Slaying the King's English",5377:Zachary Scott: Hollywood's Sophisticated Cad4390:
4388:
4386:
4384:
4382:
4380:
4342:
4340:
4338:
2578:
2507:He directed 10 actors to Oscar nominations:2431:or other elements went beyond his grasp of2392:Curtiz paid part of his own salary into the2073:, released six months before his death from1387:(1941) was released a few months before the8805:American people of Hungarian-Jewish descent5272:
5270:
5063:
5061:
5059:
4833:
4831:
4566:Kingsley, Grace. "Will Make 'Noah's Ark'",4503:
4501:
4499:
4497:
4245:
4243:
4241:
4227:
4225:
4223:
4221:
4219:
4154:
4152:
4150:
2442:, who talks about him in his autobiography2050:– Michael Curtiz, after first meeting Elvis543:on Denmark's first multireel feature film,7883:
7869:
6091:
6077:
5868:
5866:
5669:
5588:
5586:
5435:
5119:Starmaker: The Autobiography of Hal Wallis4775:
4773:
4549:
4547:
4545:
4543:
4541:
4539:
4495:
4493:
4491:
4489:
4487:
4485:
4483:
4481:
4479:
4477:
4459:
4457:
4455:
4411:
4409:
4407:
4405:
4403:
4366:
4364:
4362:
4360:
4358:
4356:
4305:
4294:
4292:
4290:
4288:
4286:
4256:
4170:
4168:
4148:
4146:
4144:
4142:
4140:
4138:
4136:
4134:
4132:
4130:
3745:(1942) with James Cagney and Walter Huston2381:Curtiz had left Europe before the rise of2328:about his choice of words when directing.2261:
951:(1932), starring then little-known actors46:
8810:Naturalized citizens of the United States5757:
5755:
5753:
5751:
5678:Curtiz, Michael. "The Parade of Oscars",5599:
5379:, Univ. Press of Mississippi (2006) p. 975350:(Massillon, Ohio), October 1, 1946, p. 115259:"Kate Smith sings "God Bless America" in5113:
5111:
5109:
5107:
4992:, (Ames, Iowa), September 20, 1941, p. 124791:
4789:
4440:
4438:
4377:
4335:
3072:Academy Award for Best Supporting Actress2771:Six of Curtiz's films were nominated for1975:(1954), Curtiz's second adaptation of an1058:Curtiz continued the successful genre of355:, which led to the U.S. Congress and the7292:The Private Lives of Elizabeth and Essex5991:Jack London's The Sea Wolf: A Screenplay5737:
5735:
5733:
5731:
5729:
5477:. Citadel Press, New York, 1991, p. 64;5371:
5369:
5267:
5218:
5056:
5002:
5000:
4998:
4828:
4723:The Private Lives of Elizabeth and Essex4585:
4238:
4216:
4193:
4191:
4189:
4187:
4185:
4183:
4158:Gerstner, David A., and Staiger, Janet.3646:The Private Lives of Elizabeth and Essex3365:its list of the greatest American movies3069:
2994:
2963:
2839:
2501:The Private Lives of Elizabeth and Essex2494:
2230:
2115:
2067:The final film that Curtiz directed was2014:
1797:
1790:. They throw you into gutter next day".1738:
1662:
1568:
1478:Curtiz directed another Air Force film,1371:
1368:neck and neck with contemporary history.1101:
1096:The Private Lives of Elizabeth and Essex1027:
875:, who married Curtiz a few years later.827:
815:
551:
8755:Austrian emigrants to the United States5863:
5815:David Thomson discussing Michael Curtiz5700:
5583:
5340:
4770:
4620:20,000 Years In Sing Sing (1932)Trailer4604:Parsons, Louella O. In Movie Studios",4536:
4474:
4452:
4422:
4400:
4353:
4283:
4165:
4127:
3862:(1952), a remake with Danny Thomas and2997:Academy Award for Best Supporting Actor16:Hungarian-American director (1886–1962)8727:
5748:
5467:
5405:, Henry Holt and Company (1988) p. 4225313:
5311:
5104:
4786:
4633:
4591:Schickel, Richard, and Perry, George.4514:. Orion Publishing Co, 1993., p. 2214435:
4300:Comparative Hungarian Cultural Studies4113:
4111:
4109:
1573:Humphrey Bogart and Ingrid Bergman in1507:, Curtiz directed the musical biopic,633:(1926), and once directed 14-year-old7864:
6072:
5726:
5366:
5192:
5158:
4995:
4180:
4107:
4105:
4103:
4101:
4099:
4097:
4095:
4093:
4091:
4089:
2235:Curtiz with Will Rogers, Jr., in 1952761:underworld figures he had never met.362:Curtiz helped popularize the classic8770:Best Directing Academy Award winners5874:"MICHAEL CURTIZ, DIRECTOR, 72, DIES"5280:, John Wiley & Sons (2010) p. 485121:, Macmillan Publishing (1980) p. 255091:
5071:, Hawthorn Books, N.Y. (1973) p. 2184940:, original theatrical trailer (1940)4795:"Critics Acclaim 'Four Daughters'",4428:Graham, Sheilah. "Hollywood Today,"1864:. Curtiz directed an actual biopic,1469:– Charles Higham and Joel Greenburg,1331:One of the biggest hits of 1940 was5939:, "Curtiz: A Life in Film" page 5355509:Review of Jim Thorpe – All-American5308:
5219:Cosgrove, Ben (November 23, 2012).5193:Ebert, Roger (September 15, 1996).5099:The Edward G. Robinson Encyclopedia5069:All My Yesterdays: An Autobiography4825:, "Curtiz: A Life in Film" page 2374643:, Donald I. Fine, Inc., N.Y. (1993)3720:(1942) with James Cagney and famed2819:Directed Academy Award performances2164:
1109:(l) with Curtiz, during filming of1013:action drama based on the novel by722:
463:
420:(1954), and he made comedies, with13:
7765:The Adventures of Huckleberry Finn5906:. Associated Press. March 24, 19945880:. Associated Press. April 12, 19625860:, "Curtiz: A Life in Film" page 685633:
5159:Flint, Peter B. (March 31, 1986).5117:Wallis, Hal, and Higham, Charles.4397:(Nashville), April 12, 1962, p. 574346:Gutterman, Leon. "Our Film Folk",4086:
3976:The Adventures of Huckleberry Finn2460:Forest Lawn Memorial Park Cemetery2226:
2084:
1802:Kirk Douglas and Lauren Bacall in1581:Another patriotic Curtiz film was440:Curtiz was born Manó Kaminer to a14:
8826:
6972:The Strange Love of Molly Louvain6000:
5361:World Film Locations: Los Angeles4839:"New York Times: Sons of Liberty"2111:
1683:(1945) was based on the novel by840:On a visit to Hollywood in 1927,8795:Deaths from cancer in California8704:Daniel Kwan and Daniel Scheinert7694:The Best Things in Life Are Free6034:
6022:
6007:
5983:
5970:
5954:
5942:
5930:
5918:
5851:
5837:
5820:
5790:
5768:
5650:Howard Thompson (July 4, 1958).3907:(1955) with Humphrey Bogart and3734:(1942) with Humphrey Bogart and2357:
2004:(1956), which starred newcomers959:in one of their earliest films.867:at the time, observed historian222:
174:
8745:Film directors from Los Angeles7892:Academy Award for Best Director7172:The Charge of the Light Brigade5817:, TCM Tribute to Michael Curtiz5780:. New York, NY: Penguin, 1990.5713:
5685:
5643:
5627:
5612:
5569:
5556:
5542:
5528:
5514:
5502:
5488:
5453:
5422:
5408:
5395:
5382:
5353:
5335:Joan Crawford "Always the Star"5328:
5304:"Mick Garris on Mildred Pierce"5297:
5283:
5252:
5238:
5212:
5186:
5152:
5138:
5124:
5074:
5042:
5029:
5013:
4983:
4969:
4956:
4944:
4930:
4905:
4891:
4877:
4863:
4816:
4802:
4757:
4743:
4729:
4715:
4688:
4674:
4660:
4646:
4611:
4598:
4573:
4560:
4524:
4372:World Film Directors: 1890–19454065:
4055:
2511:, John Garfield, James Cagney,2293:. But English has him stumped.1566:as "the best movie ever made".1065:The Charge of the Light Brigade1034:The Charge of the Light Brigade348:The Charge of the Light Brigade196:
170:
8785:Western (genre) film directors8760:German-language film directors8750:Hungarian emigrants to Austria6550:The Lady with the Black Gloves6230:The Strength of the Fatherland5965:Michael Curtiz: A Life in Film5609:, Back Bay Books (1995) p. 4505363:, Intellect Books (2011) p. 164557:, New York, September 27, 19464204:
4046:
4031:
4016:
3383:Selected Hollywood filmography2966:Academy Award for Best Actress2319:– Film historian David Thomson2089:
1437:Edward G. Robinson starred in945:Another breakthrough film was921:– Biographer Sidney Rosenzweig1:
7112:The Case of the Curious Bride5978:Michael Curtz: a life in film4374:, H. W. Wilson Company (1987)4201:, Simon & Schuster (2006)4079:
3627:(1938) with James Cagney and3379:were nominated for the list.2760:Best Short Subject (Two-reel)2444:Eighty Odd Years in Hollywood1953:. He directed many films for1242:Best Short Subject (Two-reel)1021:, alongside the little-known916:to surround and entrap them.435:
53:
7232:The Adventures of Robin Hood6150:My Husband's Getting Married6059:Literature on Michael Curtiz5021:"Dive Bomber (1941) Review."5008:The Moguls and the Dictators4783:, McFarland (1993) pp. 28–294696:"Top 100 Movies Of All Time"4682:The Adventures of Robin Hood3794:(1947) with William Powell,3679:(1940) with Errol Flynn and3668:(1940) with Errol Flynn and3638:(1939) with Errol Flynn and3598:The Adventures of Robin Hood3556:(1935) with Bette Davis and3370:The Adventures of Robin Hood2842:Academy Award for Best Actor2784:The Adventures of Robin Hood2482:Film historian David Thomson2404:establish themselves in the2298:– Film columnist George Ross2270:, who worked with Curtiz on2211:The Adventures of Robin Hood1202:New York Film Critics Circle1079:The Adventures of Robin Hood375:The Adventures of Robin Hood31:when mentioning individuals.7:
8765:20th-century Hungarian Jews8648:Alejandro González Iñárritu8640:Alejandro González Iñárritu7909:(1927/28; Dramatic Picture)6180:The Princess in a Nightrobe5450:, September 29, 1946, p. 315039:, December 31, 1941, p. 21.4668:Charge of the Light Brigade4327:Biography of Michael Curtiz4302:, Purdue Univ. Press (2011)4253:, September 25, 1927, p. 154118:Biography of Michael Curtiz3124:
2539:Some, such as screenwriter1885:(1952), with Doris Day and1868:(1951), this time starring1641:in support of the U.S. and1562:magazine in 2012 described1167:, Garfield co-starred with625:in the U.S.). He also made499:
10:
8833:
6952:The Woman from Monte Carlo4533:, December 19, 1926, p. 583389:Michael Curtiz filmography3386:
2658:You Can't Take It with You1743:William Powell starred in1394:Curtiz shot every foot of1259:(1940) co-starring future1224:You Can't Take It with You1090:' list of Top 100 Movies.345:The death of 25 horses in127:United States (after 1933)18:
8800:Film people from Budapest8527:
8316:
8101:
7917:(1927/28; Comedy Picture)7898:
7837:
7806:
7755:
7594:I'll See You in My Dreams7584:Jim Thorpe – All-American7534:
7313:
7222:Gold Is Where You Find It7012:Mystery of the Wax Museum7002:20,000 Years in Sing Sing6852:
6561:
6110:
5828:Bring on the Empty Horses5745:, October 24, 1979, p. 105522:I'll See You in My Dreams5475:The Films of Kirk Douglas5392:, McFarland (2003) p. 1335248:(1943) – Original Trailer5052:(1941) – Official Trailer4469:Fifty Hollywood Directors4162:, Psychology Press (2003)3833:I'll See You in My Dreams3484:Mystery of the Wax Museum3472:20,000 Years in Sing Sing2651:
2634:
2579:Academy Award nominations2469:
2423:and Curtiz's third wife,2411:In 1933, Curtiz became a2273:Mystery of the Wax Museum2203:20,000 Years in Sing Sing1923:basis from 1954 onwards.1882:I'll See You in My Dreams1866:Jim Thorpe – All-American1819:Jim Thorpe – All-American1702:Curtiz originally wanted993:The Count of Monte Cristo948:20,000 Years in Sing Sing935:Mystery of the Wax Museum886:In 1930, Curtiz directed805:(1926), available at the592:Curtiz briefly worked at207:
147:
139:
131:
121:
111:
92:
63:
45:
38:
8775:Hungarian film directors8584:Joel Coen and Ethan Coen7604:The Story of Will Rogers7493:Romance on the High Seas6340:Secret of St. Job Forest5765:, August 23, 1942, p. 215710:, August 10, 1938, p. 115536:The Story of Will Rogers5496:Jim Thorpe: All American5432:, August 31, 1947, p. 335319:MGM: When the Lion Roars4887:(1940)- Official Trailer4841:. Movies & TV Dept.4799:, October 19, 1938, p. 94656:(1935), original trailer4608:, February 9, 1927, p. 44419:, Lexington Books (2005)4009:
3806:Romance on the High Seas3233:Romance on the High Seas2458:. He is interred in the2456:Sherman Oaks, California2449:
2413:naturalized U.S. citizen1904:The Story of Will Rogers1896:Romance on the High Seas1825:The Story of Will Rogers1793:
1486:Royal Canadian Air Force1472:Hollywood in the Forties1275:
1082:(1938, co-directed with881:
727:
694:caught the attention of468:
27:. This article uses19:The native form of this7523:The Lady Takes a Sailor7262:Angels with Dirty Faces6992:The Cabin in the Cotton5524:(1951) Official Trailer5511:, Turner Classic Movies5348:The Evening Independent5148:(1942) Official Trailer4979:(1941) Official Trailer4901:(1940) Official Trailer4810:Angels with Dirty Faces4725:(1939) Official Trailer4606:The Cincinnati Enquirer4582:, August 4, 1927, p. 114348:The Wisconsin Chronicle4331:Encyclopædia Britannica3941:and Olivia de Havilland3624:Angels with Dirty Faces3427:The Cabin in the Cotton3349:American Film Institute2888:Angels with Dirty Faces2811:(1945). Of these, only2647:Angels with Dirty Faces2306:The Cabin in the Cotton2262:Working with colleagues1721:Best Supporting Actress1719:, who was nominated as1654:Nazi invasion of Russia1519:Angels with Dirty Faces1417:gave it a good review:1208:Angels with Dirty Faces1197:Angels with Dirty Faces589:to direct films there.381:Angels with Dirty Faces104:Los Angeles, California7704:The Helen Morgan Story7373:Captains of the Clouds7052:The Kennel Murder Case6621:Mrs. Dane's Confession5682:, June 14, 1944, p. 135636:The Elvis Encyclopedia5278:The Hollywood War Film5132:Captains of the Clouds4847:. 2011. Archived from4595:, Running Press (2008)4350:, April 30, 1954, p. 64177:, Oct. 30, 1927, p. 413717:Captains of the Clouds3503:The Kennel Murder Case3342:
2537:
2504:
2479:
2355:
2316:
2295:
2255:
2236:
2224:
2184:
2177:
2147:
2125:
2047:
2023:
1807:
1748:
1675:
1610:
1578:
1501:Captains of the Clouds1481:Captains of the Clouds1466:
1456:
1424:
1389:attack on Pearl Harbor1381:
1370:
1114:
1037:
938:(1933), both in early918:
837:
821:
798:
785:– Author William Meyer782:
775:
752:
656:
571:
557:
497:
338:, musical, war story,267:
8266:Franklin J. Schaffner7634:The Boy from Oklahoma7624:Trouble Along the Way7544:Young Man with a Horn6902:A Soldier's Plaything6190:Prisoner of the Night5904:The Los Angeles Times5847:. September 12, 2018.5723:, Dec. 13, 1926, p. 25592:Johnson, Hazel. UPI,5538:(1952) title sequence5461:Young Man with a Horn4953:, May 6, 1990, p. 6534122:Turner Classic Movies3851:, with Doris Day and3260:Young Man with a Horn2533:
2498:
2474:
2350:
2312:
2279:
2250:
2234:
2219:
2179:
2172:
2142:
2119:
2043:
2018:
1879:Curtiz followed with1856:, Lauren Bacall, and1850:Young Man with a Horn1813:Young Man with a Horn1804:Young Man with a Horn1801:
1742:
1666:
1639:Franklin D. Roosevelt1602:
1572:
1458:
1452:
1419:
1375:
1364:Mr. Curtiz rides his1361:
1105:
1076:. It was followed by1031:
909:
831:
819:
793:
777:
770:
748:
652:
566:
555:
492:
366:, with films such as8373:Richard Attenborough8298:Francis Ford Coppola8091:Joseph L. Mankiewicz8083:Joseph L. Mankiewicz7423:Passage to Marseille7282:Daughters Courageous7212:The Perfect Specimen7032:Private Detective 626741:The Golden Butterfly6581:The Star of Damascus6520:99-es számú bérkocsi6031:at Wikimedia Commons5743:St. Petersburg Times5708:The Pittsburgh Press5430:The Pittsburgh Press5325:, (1991) pp. 194–1985067:Robinson, Edward G.4779:McGrath, Patrick J.4765:Harrisburg Telegraph4570:, Oct. 2, 1926, p. 64448:movie trailer (1928)4269:Rosenzweig, Sidney.4231:Robertson, James C.2561:German expressionism2464:Glendale, California1874:1912 Summer Olympics1194:starred in Curtiz's1184:Daughters Courageous707:German Expressionism687:The Ten Commandments645:, who later married631:The Golden Butterfly583:communist government173:1918; 8616:Michel Hazanavicius8413:Bernardo Bertolucci7775:A Breath of Scandal7383:Yankee Doodle Dandy6932:God's Gift to Women6882:The Matrimonial Bed6821:Madonna of Avenue A6631:Labyrinth of Horror6530:The Sunflower Woman6170:The Borrowed Babies5798:Cabin in the Cotton5721:The Courier-Journal5652:"Actor With Guitar"5448:The Courier-Journal5359:Solomons, Gabriel.5146:Yankee Doodle Dandy5080:Lyttelton, Oliver.4964:The Courier-Journal4430:The Courier-Journal4370:Wakeman, John. ed.4160:Authorship and Film3742:Yankee Doodle Dandy3573:Olivia de Havilland3432:Richard Barthelmess3360:Yankee Doodle Dandy3151:Yankee Doodle Dandy3038:Yankee Doodle Dandy2910:Yankee Doodle Dandy2796:Yankee Doodle Dandy2758:in the category of2754:Curtiz also won an2713:Yankee Doodle Dandy2499:Davis and Flynn in2440:John Meredyth Lucas1510:Yankee Doodle Dandy1307:Yankee Doodle Dandy1240:in the category of1023:Olivia de Havilland807:Library of Congress458:Markoszy University405:Yankee Doodle Dandy308:Olivia de Havilland125:Hungary (1886–1933)8780:Jewish film people8664:Guillermo del Toro7744:The Man in the Net7564:The Breaking Point6872:Under a Texas Moon6711:The Moon of Israel6641:Sodom and Gomorrah6591:The Scourge of God6130:Today and Tomorrow6039:Works by or about5878:The New York Times5775:Quirk, Lawrence J.5680:The Evening Review5656:The New York Times5624:, Elvispresley.com5605:Guralnick, Peter.5337:, 1996 documentary5276:Eberwein, Robert.5165:The New York Times5101:, McFarland (2002)5037:The New York Times5024:The New York Times5019:Crowther, Bosley.4990:Ames Daily Tribune4844:The New York Times4797:The Culver Citizen4641:Merchant of Dreams4471:, Routledge (2015)4463:Leonard, Suzanne;4415:Pontuso, James F.4235:, Routledge (1993)4039:eastern name order4024:eastern name order3961:The Man in the Net3818:The Breaking Point3692:Edward G. Robinson3584:Edward G. Robinson2866:write-in candidate2815:won Best Picture.2685:Best Short Subject2610:write-in candidate2505:
2394:European Film Fund2237:
2126:
2061:The New York Times2024:
1808:
1775:production company1749:
1676:
1579:
1550:Sydney Greenstreet1484:(1942), about the1414:The New York Times1382:
1178:The New York Times1119:Edward G. Robinson1115:
1107:Edward G. Robinson1038:
838:
822:
692:The Moon of Israel678:Paramount Pictures673:The Moon of Israel616:Die Sklavenkönigin610:Sodom und Gomorrha598:Alexander Kolowrat558:
556:Movie poster, 1924511:Today and Tomorrow479:travelling players29:Western name order8722:
8721:
8712:Christopher Nolan8517:Steven Soderbergh8485:Anthony Minghella8166:Vincente Minnelli7858:
7857:
7785:Francis of Assisi7684:The Vagabond King7503:My Dream Is Yours7403:Mission to Moscow6781:Good Time Charley6771:The Desired Woman6601:Mrs. Tutti Frutti6370:A Penny's History6250:The Black Rainbow6120:The Last Bohemian6027:Media related to5949:Los Angeles Times5375:Davis, Ronald L.5323:Turner Publishing4951:Los Angeles Times4639:Higham, Charles.4580:Los Angeles Times4568:Los Angeles Times4251:Los Angeles Times4175:Los Angeles Times3915:The Vagabond King3838:biographical film3750:Mission to Moscow3340:
3339:
3122:
3121:
2752:
2751:
2287:Maurice Chevalier2026:Another musical,1631:Mission to Moscow1593:God Bless America1345:Queen Elizabeth I1337:Sir Francis Drake1244:, for this film.663:, after watching521:The Last Bohemian215:
214:
140:Yearsactive78:December 24, 18868822:
8715:
8707:
8699:
8691:
8683:
8675:
8667:
8659:
8651:
8643:
8635:
8627:
8619:
8611:
8603:
8595:
8587:
8579:
8571:
8563:
8555:
8547:
8539:
8520:
8512:
8504:
8501:Steven Spielberg8496:
8488:
8480:
8472:
8464:
8461:Steven Spielberg8456:
8448:
8440:
8432:
8424:
8416:
8408:
8400:
8392:
8384:
8376:
8368:
8360:
8352:
8344:
8336:
8328:
8325:John G. Avildsen8309:
8301:
8293:
8285:
8277:
8274:William Friedkin8269:
8261:
8258:John Schlesinger8253:
8245:
8237:
8229:
8221:
8213:
8205:
8197:
8185:
8177:
8169:
8161:
8153:
8145:
8137:
8129:
8121:
8113:
8094:
8086:
8078:
8070:
8062:
8054:
8046:
8038:
8030:
8022:
8014:
8006:
7998:
7990:
7982:
7974:
7966:
7958:
7950:
7942:
7934:
7926:
7918:
7910:
7885:
7878:
7871:
7862:
7861:
7851:
7830:
7820:
7799:
7789:
7779:
7769:
7748:
7738:
7728:
7718:
7708:
7698:
7688:
7678:
7674:The Scarlet Hour7668:
7658:
7648:
7638:
7628:
7618:
7608:
7598:
7588:
7578:
7568:
7558:
7548:
7527:
7517:
7507:
7497:
7487:
7477:
7473:Life with Father7467:
7457:
7447:
7443:Roughly Speaking7437:
7427:
7417:
7413:This Is the Army7407:
7397:
7387:
7377:
7367:
7357:
7347:
7337:
7327:
7306:
7296:
7286:
7276:
7266:
7256:
7246:
7236:
7226:
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6751:The Third Degree6745:
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5800:(1932) – trailer5794:
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5697:, Warner Archive5695:(1935) – trailer5693:Front Page Woman5689:
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5622:: Paramount 19585616:
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5579:(1958) – Trailer5573:
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5552:(1954) – trailer5546:
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5498:(1951) – trailer5492:
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5418:(1947) – trailer5416:Life With Father5412:
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5293:(1945) – Trailer5287:
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5088:, April 10, 20125078:
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3879:Rosemary Clooney3800:Elizabeth Taylor3791:Life with Father3553:Front Page Woman3324:Rosemary Clooney3174:This is the Army3129:
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2954:Life with Father2823:
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2583:
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2557:Alfred Hitchco*ck2483:
2364:illegitimate son2320:
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2188:
2187:– Michael Curtiz2165:Types of stories2101:Front Page Woman2057:Variety magazine2051:
2032:(1958), starred2001:The Scarlet Hour1998:Curtiz directed1989:Rosemary Clooney1929:(1954, based on1783:Life With Father1762:Life with Father1751:Curtiz directed1745:Life With Father1704:Barbara Stanwyck1650:the Soviet Union1621:
1605:This Is the Army1584:This Is the Army1544:, Claude Rains,1528:Curtiz directed1474:
1325:Life with Father1313:This Is the Army1084:William Keighley1045:for Best Picture1001:Great Depression922:
869:Richard Schickel832:Curtiz (r) with820:1928 Curtiz film811:Dolores Costello802:The Third Degree786:
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5594:The Daily Notes5591:
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5566:. December 20225561:
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5550:White Christmas5547:
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5463:1950) – Trailer5458:
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1615:Bosley Crowther1612:
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1428:Louella Parsons1409:Bosley Crowther1278:
1233:Sons of Liberty1129:Humphrey Bogart1088:Rotten Tomatoes1060:adventure films1032:Errol Flynn in1015:Rafael Sabatini983:Treasure Island973:Queen Christina924:
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619:(1924) (titled526:Az utolsó bohém502:
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2641:Best Director2639:
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2525:Hal B. Wallis2520:
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2034:Elvis Presley2031:
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2022:
2017:
2013:
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2007:
2003:
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1994:
1990:
1986:
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1977:Irving Berlin1974:
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1234:
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1074:Captain Blood1071:
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1042:Academy Award1035:
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506:Olympic Games496:
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369:Captain Blood365:
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328:
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322:Best Director319:
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309:
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300:John Garfield297:
293:
292:Joan Crawford289:
284:
279:
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276:studio system273:
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188:Bess Meredyth182:
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30:
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21:personal name8696:Jane Campion8680:Bong Joon-ho8528:2001–present8429:Oliver Stone8405:Oliver Stone8389:Miloš Forman8306:Miloš Forman8242:Mike Nichols8218:George Cukor8182:Billy Wilder8142:Delbert Mann8051:Billy Wilder8034:
7845:
7824:
7816:Jön az öcsém7814:
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7783:
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6518:
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6500:The Ugly Boy6498:
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6478:
6468:
6458:
6450:A skorpió I.6448:
6438:
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6350:Nobody's Son6348:
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6290:Master Zoard6288:
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5961:Alan K. Rode5956:
5944:
5937:https://rode5932:
5924:
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5908:. Retrieved5903:
5894:
5882:. Retrieved5877:
5858:https://rode5853:
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5833:Amazon books5832:
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